Scarlett Branch Stag, photo composite, multilayer UV printed plexiglass, RC print reverse, custom Light box frame by Sandy Smith Studio, NYC
Todd Murphy (1962-2020)
photo composite; Proof printing, double sided uv printed plexiglass, archival printing
Todd Murphy studio proof printing with Laumont Editions
Todd Murphy (1962-2020)
Scarlet Branch Stag, 2017, mixed media, photo composite, small scale proof
Murphy Studio Film MARCH 31, 2016 4:17PM
“Murphy's work feels anachronistic, like it's swimming against a contemporary tide that moves toward a shore of disenchantment.”
— SEPH RODNEY 2022
NO MORE RACES TO RUN, by Seph Rodney, New York, NY, 2022
Todd Murphy Studio film APRIL 4, 2016 9:56PM
MARCH 31 2016 11:10 AM
He could never run out of subject matter;
indeed, he – not to mention his audience – could hardly keep up with the subjects, and possibilities, at hand. But Murphy’s hand was as deft as his mind was voracious, and he never let the allure on one subject (-cum-project) distract him from the realization of another. —Peter Frank
TODD MURPHY: BREADTH OF A POET, by PETER FRANK
APRIL 4, 2016 6:58 PM
For all his expansiveness and breadth of spirit, Murphy’s vision was deeply interiorized.
He had to coax it constantly out of its shadowy, even sepulchral mode. It is that darkness and quietude that establishes the dimmed and localized light pervading his imagery, a kind of Old Master – specifically Caravaggesque – commingling of murk and brilliance.
TODD MURPHY: BREADTH OF A POET, by PETER FRANK